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Schnell ist gut
by Eric Lanyard
The obvious word that comes to mind after viewing
German writer-director Tom Tykwer's "Run Lola Run" is
"kinetic," but kinetic probably does not do this
cinematic lightning rod justice. This movie is
hyperkinetic, mondo-kinetic, uber-kinetic. I
challenge you not to be thrilled by it.
The plot is rather simple. Lola (Franke Potente), whose
flaming red hair makes her look like the Dr. Seuss
version of Claire Danes, gets a desperate call from
her petty criminal boyfriend Manni (Moritz Bleibtreu),
who has lost a very serious bag of cash belonging to
some very serious thugs. In his frantic state, Manni
threatens to take potentially graver actions to remedy
the situation, but Lola manages to convince him to
give her twenty minutes to get to him with help. He
agrees, and thus Lola runs.
I'd hate to tell you more about what happens to Lola
as she runs, because the movie is nothing if not a
series of ecstatic surprises. Suffice to say that Run
Lola Run makes good on the concept that the
amazingly lame Gwyneth Paltrow vehicle "Sliding Doors"
attempted to explore, and does so in an original
funhouse style that hits you over the head and leaves
you with a goofy smile on your face-- a sensory
experience I haven't had at the movies since
Trainspotting.
Among Tykwer's most impressive innovations are a
series of fast-forward photo sessions that allow us to
see the hilarious fates of minor characters long after
Lola's twenty minutes are up. Even more vital is the
flawless integration of a techno music score so
pivotal to the success of the film that it deserves
top billing alongside the film's stars. As for the
actors, I'm not sure how significant their
contribution is (see Keanu Reeves in "The Matrix") but
they certainly do what they need to do quite well.
Franke Potente (what a fabulous name) is certainly a
sight to behold in full stride during Lola's trademark
runs, and otherwise brings a stirring fierceness to
her role.
Run Lola Run has an artsy introduction involving a
soccer ball and a few other statements about fate
along the way, but these pretensions aside, it really
isn't about all that much. But, believe it or not, it
really doesn't have to be-- Run Lola Run does such a
good job grabbing you and exhilarating you, it feels
selfish to ask it to be anything more.
Eric Lanyard, 1999
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