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 Mystery Men

Mystery Men
Director: Kinka Usher
Starring: Ben Stiller, William H. Macy, Hank Azaria, Paul Reubens, Geoffrey Rush, Stacey Travis, Claire Forlani, Janeane Garofalo, Greg Kinnear
Length: 2 hours 1 minutes
Rated: PG-13
Expect the unexpected
by Eric Lanyard

      Mystery Men is so adorable a movie, you just want to reach up to the screen and pinch the cheeks of everyone involved. It's such a little charmer that you find yourself rooting not only for the good guys, but for the movie itself. The script's sweet goofiness and its incredibly gifted comic cast more than compensate for the sometimes clumsy direction of feature first-timer Kina Usher (if Steven Spielberg had directed this film, it would have been the biggest hit of the year) and for special effects that are pretty darn primitive in this summer of decomposing mummies, giant mechanical tarantulas, and that annoying but technically impressive Jar Jar Binks.

      It helps that the movie is based on such a winning premise-- a rag-tag group of wannabe superheroes get their big chance to shine when the evil Casanova Frankenstein (Geoffrey Rush, having a lot of fun) kidnaps the reigning champion of good, Captain Amazing (the perfectly cast Greg Kinnear). What helps even more are the players, all of whom manage to bring a real warmth and dimension to some really silly characters. Ben Stiller is outstanding-- you can have your Jim Carrey, Adam Sandler, and Mike Myers, it's Stiller who gets my vote for the top comedian in movies today. He plays Mr. Furious, whose super-ability is basically just a big ol' temper tantrum, and who seems chiefly inspired by the little dog Stiller battled in There's Something About Mary. But Stiller infuses Mr. Furious with a little boy's machismo, a defensive tough guy routine that is responsible for not only many of the film's laughs but also for a lot of its heart as well. (All this in spite of the fact that he's stuck with Meet Joe Black's lame Claire Forlani as a love interest. I once read a cruel statement that Judd Nelson acted only with his nostrils. I think that's grossly unfair, but along those lines, Forlani's entire arsenal of expression seems to be wincing!). Everyone is going to have their favorites among the rest of the cast. Janeane Garofalo as The Bowler gives a crowd-pleasing performance but it's really just her usual Garofalo shtick. My personal favorites were William H. Macy as the Shoveler, a simpleminded man who quietly believes in his own heroic abilities in spite of his less than supportive wife, and the sweet Kel Mitchell as Invisible Boy-- who can only turn invisible when no one else is looking. At a key point in the story, when the Mystery Men must depend on Invisible Boy's particular abilities to confront Casanova, Mitchell's quiet resolve in the face of danger is truly touching.

      The script offers both lowbrow humor (centering mostly on the Artist Formerly Known as Pee Wee-- Paul Reubens-- whose character The Spleen is a gastrointestinally gifted hero) and sharp satire (Captain Amazing wears product endorsements for Pepsi and Jiffy Lube on his superhero uniform; a weapons expert repeatedly emphasizes the fact that his products are all non-lethal, as if to appease any Congressman in the theater audience), but most importantly, it's almost always funny. In true Hollywood style, the last quarter of the film tries to be "big" and "action-packed", and some of the contagious giddiness that carries the film a long, long way gets sacrificed as a result. The Mystery Men's final act to save the day is a clumsily staged attempt to include the entire team in the resolution of their adventure, but since the message is "It takes teamwork!", you've got to forgive it.

      Like the oddball superteam themselves, Mystery Men is an underdog this summer. It's gotten nowhere near the hype of this season's cinematic equivalents of Captain Amazing-- The Phantom Menace, Wild Wild West, or Eyes Wide Shut. But it's far better than any of those films, and hopefully, just like its underappreciated protagonists, it will get its chance to shine.

Eric Lanyard, 1999

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